FIVE

It's so very, very difficult to choose from this batch, huge round of applause to everyone who took part this month! I like the starkness of one, and how they're both positioned, central and backing each other up. Two is like an arty window reflection. Three is fascinating, especially that Natasha is the bow, the weapon, and looking at Clint whilst he looks at her and is aiming. I like how Natasha is in the shadows in four, and how both of them are looking off into the distance, like they're thinking about each other or watching the other's back. Six is a great idea! And I love the many faces of Natasha! In seven I like Natasha, but Clint is a bit too much smirking disembodied head for me. Eight is wonderfully desolute and dystopain, all that destruction and Clint looking out on it, whilst Natasha front and centre owns it yet still looks to him.

However, it's going to be five for me, because I love the colours, the faded background, their facial expressions, and how they're dressed down, and Clint doesn't even have his preferred weapon, like they went out for the day or undercover, and then look at those faces and that's why you don't mess with Master Assassins!