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Under the cut, many presents. Many. May it make your Monday better (I'm "working from home", can't you tell?)
All links go back to my journal, still waiting on a AO3 account! Nothing has warnings unless I specifically say so. I try to be pretty sensitive to stuff, so always poke me if you think something needs a warning!
Clearly, I've been sitting on a lot of fic for a long time ;) This is a dump. I apologize.
Seven Ways to Apologize, One Way to Forgive -- PG 13 one shot.
The Way We Sleep -- R rated one shot (smut lives here)
Two Truths, One Lie -- PG 13 one shot
The Ocean Carries You Home -- PG 13 one shot (Warning: mentions of pregnancy, nonconsensual medical procedures)
Title: You Don’t Have To Leave To Arrive
Disclaimer: Characters are Marvel’s. Story is mind. Headcanon is my crack.
Rating: PG 13
Warnings: Cursing, violence, possible mentions of rape/abuse, PTSD.
Author’s Note: I love Andrea Gibson, a very talented poet and spoken word artist. You should totally check her out. These lines worked for me. That’s all.
Summary: And she tells him, “They write stories about people like us. Damaged and rough around the edges and in love.” And he says, “Is that what this is? Love?"
Chapter 1
chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9 (fin)
Title: This is Feeling
Rating: PG 13
Disclaimer: Characters are Marvels. Story is mine. Thus, canon is a mashup of movie and comic and headcanon put in a slowcooker and set to simmer
Warnings: PTSD, angst
Author's Note: Thanks for hanging out for the ride!
Summary: Natasha is not emotionally stunted. She understands emotions. They're just chemical equations in the brain.
Chapter 1
Chapter 2
Chapter 3
Chapter 4 (fin)
Title: Open My Eyes: I See Sky
Disclaimer: Characters are Marvel’s. Story is mind. Headcanon is my crack.
Rating: PG 13
Warnings: Angst. Lots of it.
Author’s Note: I have feels sometimes. This fic got away from me in the feels department. Forgive me for the considerable amount of squeeing and feels and squishy almost fluffiness that occurs a couple of times.
Summary: After shawarma, Clint disappeared. Against her instincts, Natasha has not used her considerable skills, assets, and resources to track him down. She knows he has to level out and leveling out takes time. So why does she feel like she’s the one off balance?
Part 1
Part 2
Part 3
Part 4 (fin)
Oy! Okay then! Dump complete! Comments welcome there or here. Also, prepare for spammage as I go around and comment on my favorites from the last three months :p
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